About Jeanine Leane
Articles about Jeanine Leane
Articles by Jeanine Leane
To describe this work as autobiography is too limiting. It is a testimony woven through the stories of the lives of two women, Aunty Kerry and Mummy. In a similar vein to the life writings of Glenyse Ward, Margaret Tucker, Ida West, Monica Clare, Doris Pilkington, Mabel Edmund and Ruby Langford-Ginibi, The Cherry Picker’s Daughter brings the past up close and personal and tells first-hand how decisions made by politicians, bureaucrats, educators, health professionals and social workers from a distance impact on the day to day lives of Aboriginal people. But it differs too from these earlier works through its centring of the child’s voice; and for the way in which Aunty Kerry invites the reader into her home.
Whittaker uses English as both an object of ridicule and a tool of empowerment. In subverting the conventional rules of usage, she makes it her own. In her hand, English does and says and tells a different story. Audre Lorde said that the master’s tools will never dismantle the master’s house. And they won’t. But Blak writers like Whittaker use these tools to carve out their own spaces to build other story – to re-story Country with the old stories, and to create new ones.