Interviews

‘Thirty years ago I wrote to Helen Garner, via her publisher, and asked if I could interview her.’

‘I am really interested in the language that my family speaks, and one day, in my head, I’d like to write a book around all of the idioms I’ve been taught, because Turkish idioms are so much more complex, as well as profane, than English words.’

‘I do commercial translations, literary translation doesn’t pay the bills and requires a lot more work. I translate insurance forms, information leaflets for medication, instructions for prostate operations… It’s a repetitive job and in general very boring. But I think about Kafka, about how his job at an insurance office may have pushed him to immerse himself more fully in his fiction, and that gives me some consolation’ – Fabian Martinez Siccardi.

‘I really wanted especially to have a voice for those kids who think they’re weird, think they’re strange, and there’s always going to be kids like that.’

‘When my collection, An Elegant Young Man came out, I think it virtually sent me around the bend.’

‘In this world of literary agents and commercial prizes that many times just replicate names and books that sell all right, being translated is pretty much a matter of luck: the luck of being successful or the luck of finding almost by chance the right reader in another language.’ J.M. Coetzee in conversation with Argentine writers and translators Mariana Dimópulos and Ariel Magnus.

Introduction Six Degrees from the City is a podcast about writing in Western Sydney, hosted by the writer and critic…

‘Going back and living in South-West Sydney is very much in keeping with the way I have this very fluid relationship with Bankstown, with the Western Suburbs, I’m part of it but also not part of it too.’

‘If you become too pleased with yourself, you can become lazy as a poet. It’s dangerous to feel self-satisfied. You have to always have a critical eye on your work.’

‘That’s how I write: from place. And it’s the place itself that drives who the characters become, and how the narrative shapes itself.’