Literary criticism
Where are all the disabled writers?
Disappointingly, however, the majority of chapters in the Cambridge Companion to Literature and Disability, continue the erasure of disability from literary history that is already so prevalent in culture. Overall the book fosters the impression that disabled people either don’t write much, or don’t write much of value.
So Far, So Left?: Literary Criticism: A Concise Political History by Joseph North
I think it would be a mistake to read Literary Criticism as simply another history of twentieth-century criticism. The tendentious and programmatic shaving down of local complexities allows North to sharpen his polemic into manifesto-like poignancy. One of the peculiarities of the manifesto is that it presumes the existence of something it is actually engaged in creating. This, I think, accounts for the odd yet telling choice to name a book after a practice that in its own account has been off the disciplinary map for at least the last few decades.
One F (in Hofmann) – and U-C-K the Consequences
Reading Hofmann has made me wonder whether I got the business of literary criticism wrong. All that straining, for instance: to find meaning and connections, to locate, link up. Why is it a self-evident good? Or the need to be careful, so careful, as in restrained, measured, fair but also taking care of people’s feelings because it’s the right thing to do and because, a separate point this, people break themselves in half to write their books.