Australian literature
The novelist’s revenge: Joyful by Robert Hillman
Women lust and die in Robert Hillman’s Joyful, but not, it would appear, in the classic realist novel manner. Where a heroine such as Emma Bovary yearns, is seduced, and falls from grace, Joyful offers a twenty-first century update on that scenario. Women still die, but it is the men who love longest when all hope is gone.
Inward illumination: On Antigone Kefala
Kefala’s output is highly accomplished and highly individual. She seems, like all real writers, to have been clear about what she was doing from the very beginning, even when what she was doing involved a lot of uncertainties.
Free, compulsory and secular: Taking God to School by Marion Maddox
Taking God to School is instructive reading for anyone interested in understanding how we have reached the stage where towards a third of students attend private schools, nearly all of a religious character, with many receiving substantial support from the federal government. For Maddox, it has been downhill ever since the high water mark of public school attendance in the late 1970s.
Reverse the skin: Night Writing by Kathryn Lomer
Night Writing is divided into five thoughtfully arranged sections which nevertheless bleed into one another. The first, entitled ‘The mother hand’, is something of a miscellany, foreshadowing several themes and concerns that re-appear later — among them parenthood, unrequited love, significant childhood episodes, and tributes to other women of courage and achievement.
Gaslighting: The Poet’s Wife by Mandy Sayer
‘Our marriage wasn’t always unhappy’: so begins this ‘memoir of a marriage’ between Australian writer Mandy Sayer and her first husband, the Afro-American poet Yusef Komunyakaa. What follows is the chronicle of a deeply troubled relationship from the point of view of the poet’s wife.
Dissolution and Reclamation: Unbelievers, or ‘The Moor’ by John Mateer
Places are, of course, not exchangeable, but in Mateer’s roaming imaginary they become, at least to some extent, drawn into a kind of codification of broad historical tendencies and movements. This constitutes a way of rethinking traditional narrative historical accounts and their often doubtful ‘truths’. Unbelievers, or ‘The Moor’ is a book about imagined geographies as much as real ones.