In Fukushima: Japan’s Tsunami and the Inside Story of the Nuclear Meltdowns, Willacy writes about small towns like Rikuzentakata and Namie, where the destruction of the earthquake and the tsunami meet the invisible radiation menace. His book is an important contribution to the understanding of Japan’s ‘nuclear village’.

One of the most intriguing – and largely unanswered – questions posed by Carey in Moving Among Strangers is: ‘Why did my mother correspond with a young man, an adolescent, thirteen years her junior, who wasn’t even a relation?’ Perhaps, she muses, they both felt like outsiders in the West Australian community.

All of this – the contradictions, the about-faces, the progressions and regressions, the many and varied strands of argument and implementation – is the legacy of the Enlightenment. Which makes the title of historian Anthony Pagden’s latest book, The Enlightenment and Why It Still Matters, puzzling. How can it not matter?

There is a pungent irony in the publication of these two books about the declining fortunes of the Fairfax Media company written by two of its most experienced and respected journalists. Media companies matter and journalism matters, but it is entirely possible that Fairfax will in the next year or two be dissolved or broken up or taken over by Australia’s richest person, Gina Rinehart.

In his posthumously published masterpiece 2666, Roberto Bolaño is clear-sighted enough to know that a visionary writer amounts to little without a visionary publisher. What would Benno von Archimboldi, the ‘great black shark’ of world literature, have been without Jacob Bubis, the German publisher unconditionally committed to him?

A new and comprehensive biography by Australian-born Britten scholar, administrator and conductor, Paul Kildea, is a worthy addition to the already significant pile of biographies and scholarly tomes on the composer. And it comes with a new controversy.

Australia’s first female Prime Minister is the figure at the centre of this pile of books, and they were all produced during the last few months of her Prime Ministership. They came out in quick succession… all of them had gone to press before the afternoon of June 26 when Prime Minister Julia Gillard called the leadership spill that saw the federal ALP caucus vote her out of office in favour of Kevin Rudd.

The Sea Inside plays with associative knowledge and pattern recognition, giving it a sometimes surreal quality as it leaps between informational clusters. Chronicled within its pages are scientists, docents, authors, bohemians, monks and adventurers, notable Indigenous figures, warriors and mystics.

Book of Barely Imagined Beasts… takes the bestiaries of the Middle Ages and uses them as the model for an attempt to tease out the way animals (and the ways we choose to think about them) are integral to our understanding of ourselves and our place in the world.

The finest travel narrative of the twentieth century can at last be read in full in the second decade of the twenty-first, some 80 years after the events it describes and two after its author, Patrick Leigh Fermor, died at the splendid age of 96. These temporal perspectives are worth noting at the outset because time – its passing and loss, its magical recuperation and crystallisation through the white magic of narrative – is at the heart of Leigh Fermor’s enchanting trilogy.

Night Games is not simply an exploration of a particular case. It lays bare football’s problematic sexual culture, which treats women as objects for men’s sexual use. It also highlights flaws within the legal processes that are in place to deal with rape cases. In a non-judgemental and engaging style, Krien presents her book as a consideration of the wider issues of rape, sex, sport and law.

His Stupid Boyhood is a memoir of the first eighteen years of Goldsworthy’s life and it shares several characteristics of his fiction. It also incorporates some striking poems, perhaps the best writing the book has to offer.

According to Rancière, modern democratic politics and modern non-classical arts are two manifestations of the same new, revolutionary social space. In this space, sensibility or sense perception (aisthesis in Greek: the origin of the word aesthetics) is shared and distributed across social divides, providing the impetus for both a new egalitarian politics and a new democratic regime of artistic appreciation and practice, which Rancière has called the aesthetic regime of art.

In earlier times, the sciences were studied in close relation to one another. Although we have been assiduously separating scientific fields… their links are more important now than ever before. And those who observe these links – Rachel Carson and Penny Olsen, the Cayleys, Mueller and the botanical artists of his time – are becoming as interesting to us as the birds and plants and environmental issues that have focussed their attention. What draws them and us to nature?

The vacillation between genius and madness characterises the tragic life story of Vaslav Nijinsky, undisputed star danseur of the twentieth century Russian Ballet… Nijinsky pushed the dramatic and athletic possibilities of classical ballet to a new level and rehabilitated the historically negative image of the dancing male through a highly charged sensuality.

In its six essays on five writers and a painter, his gaze operates like a form of scansion, picking up the long and short sounds (moments musicaux as Sebald calls them, via Schubert) in order to get behind the art in all its grief and consolation, to discover the differentiation between the life and the work.