‘In capturing Ella, Witting captures how any of us might look or think at our worst, holding ourselves up against any available measure in a desperate effort to find some argument for, some defence of who we are or what we’ve done.’
'The key distinction between The Woman on the Stairs and Schlink’s earlier fiction is that the past acted on those characters in ways that were hidden to them, but drawn out through the narrative. Here, an unspoken past acts on the protagonist and the narrative asks us to believe that his conversion to a man of empathy occurs without any direct confrontation with his personal and national history.'
In writing No Way But This Sparrow seeks to reanimate not only the ghost of Paul Robeson but those of his family, friends and comrades. In other words, this book has an avowedly political goal. It revives Robeson as a model of integrity and bravery – someone who, despite the precarity of his social position, risked his life and career for the ideas of workers’ rights, black liberation, anti-colonialism and international socialism.
For as much as this is a book about the way we skirt around the truth, avoiding the secrets and failures, the ordinariness, with which we might be confronted should we approach truth directly, Pond is also about the way we read'
'Despite all the scandal, this book will be a great contribution to many different levels of thinking and fields of research. I would like to stress the significant contributions on the predicament of the humanities in the universities today. The ‘Barry Spurr incident’ showed how sensitive we still are about the humanities and how precarious and fragile still remains their civilising role in modern society.'
'If, for much of our lives, we regard our parents as indispensable to ourselves, defined and understood by their relationship to us – whether loving or fractious, distant or close – then this last work is Lessing’s gift to hers: a belated acknowledgement of Alfred and Emily as individuals, separate from her and from one another. She offers them a world without the war; without each other; perhaps most intriguingly, without their daughter – and by extension, without their author.'
'John Mohegan’s tragedy is that all of his family and his tribe have died. The tragedy of Frankenstein’s monster is that he never had either to begin with. These two tropes of Romantic agony lie at the heart of Josephine Wilson’s Extinctions, a novel about Australia’s Stolen Generation, but also about migration, gender, and the deep traumas of family life.'
'Why did people vote for Trump? That is the question we should be asking ourselves, and it’s one that’s given extra urgency by the fact that his ascendency is not an isolated case, but the most spectacular instance of a more general phenomenon. In Europe, a veritable basket of deplorables is now angling for the votes of the disaffected. If liberals and leftwingers are serious about wresting momentum from them, they will have to understand their appeal.'
'The recent victory of nationalist parties in Hungary and Poland, with their anti-immigrant rhetoric, has emboldened the likeminded in their western neighbours; they eagerly await coming elections while entreating Australia’s hardline refugee policy. They have already set the agenda with Brexit and in the United States, where rightwing populism prevails. Liberal and leftist pundits are plundering European history for analogies to understand these developments, invoking the German template in particular. Is Trump a fascist, indeed a Nazi? Or, if not, at least some (or many) of his supporters? Reading The Vanquished suggests that excessive attention is paid to Hitler and the 1930s, the politics of which were over-determined by the Great Depression. To understand the fragility of parliamentary regimes and the authoritarian appeal, we need to return to the origin of the interwar conflicts in the years covered by this book.'
'It doesn't matter that Wulf's The Invention of Nature is a bit breathless in keeping up with its dazzling hero, and a bit coy about his relationships, because above all the book is intelligent, an optimistic history, well researched, well written, and an ecological cri de coeur.'
'Desert Writing brings to readers stories of desert communities and the individuals who form part of them that are not often featured in literature or media. Train lines have been built, and airports made but the places aren’t any closer; these are remote places – far away from Australia’s heavily populated coastal cities, far from major centres; and far from the imagination of the mainstream population. This distance is what makes these places so interesting, their pasts and futures significant.'