History

For most of 2020, I had a rash on the back of my hand that would not go away. I…

Iris reconsiders our official, public-record history – its absences and silences, its misshapings and misrecognitions. And it also offers a reconsideration of a woman whose position within this history is complicated, doubly, by her queerness.

These are the suburbs, the world we actually live in: the local beach or park, the corner shop, the servo, the pub, the bus seat in a street. The interiors of the fibro houses, those cupboards, wallpaper, furnishings, the venetian blinds, bedspreads, décor, ‘that vase’, are objects and spaces we know.

‘One surprisingly persistent theme in Making Australian History is the historical significance of literature, and in particular poetry. Can a poem ‘know’ something, ‘think’ something that history cannot?’

In this debate over the present understanding of sovereignty, history can broaden our perspective, revealing that the present and the possible are not coterminous; the past alive with ideas we may never have considered, or dismissed summarily as implausible.

if the metaphor of the kangaroo is some attempt to speak of what cannot be spoken of, so that it can be objectified and forgotten, the rat speaks of the impossibility of this, the constant return of the repressed, despite the best efforts of settlers to do away with it and live as though the land has always been theirs.

In The Warrior, The Voyager and the Artist, Kate Fullagar invites us to rethink the British empire of the eighteenth century, understanding it not as the inexorable outcome of economic and technological superiority but as a more tenuous – even tentative – project, contested at its centre as well as its edges.

Truganini was the last First Nations Tasmanian with no European ancestry to die. It is a terrible reason to be famous, and Pybus argues that ‘Australians should know about how she lived, not simply that she died.’ How Truganini lived tells us a great deal about the transactions, trades and outright thefts through which British settlers took possession of the territory they called Australia.

‘The plague archive that interests me most combines the factual and the fictional, the historical and the contemporary. Reading the stories of Australia’s early twentieth-century plague outbreak gives us insight into the emotional experience of an epidemic. Further, reading the plague archive in the contemporary moment shows that the emotional consequences of an epidemic do not stop with the abeyance of the disease. The impact of the epidemic continues, and is reworked and understood in new ways as the archive is reread.’

Whilst both Kent’s and Keating’s books will satisfy their very different readerships, there remains a largely unmet need for feminist histories that bridge academic and popular audiences. In this moment of renewed feminist activism, when hard-won feminist gains are under threat from the economic fallout of Covid and the ideological warfare of conservative governments, it’s more vital than ever to cultivate widespread understanding of the complex histories of this movement.