Since I did not grow up here, and arrived knowing no-one, Glebe was both without memory and emphatically real. The new resident seeks not only the stories of a place, but also its genii loci and forms of unconcealment. Something small becomes the proclamation of larger matters, and historical consciousness prompts random and puzzled affections. There’s a passageway here that reminds me of John Berger’s notion of ‘the shape of a pocket’. For Berger this term refers to hidden-away communities and small spaces of cultural resistance, but it also to the effects of painting in its ritual role as affirmation.
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