Jeff Sparrow

Jeff Sparrow is a writer, broadcaster and editor. His books include No Way But This: In Search of Paul Robeson, Killing: Misadventures in Violence, Money Shot: A Journey into Porn and Censorship (2012) and Communism: A Love Story(2007). He is the immediate past editor of Overland; he writes a fortnightly column for the Guardian and works for Melbourne’s 3RRR.
All essays by Jeff Sparrow
May You Live In Radical Times
In the context of the now more-or-less complete collapse of the New Left, the pulp novels of the fifties and early sixties deserve reconsideration, since, in some ways, contemporary pop culture today occupies a similar space, in that it’s produced almost entirely by commercial businesses with no relationship to any real social struggle.
A Place of Punishment: No Friend But the Mountains by Behrouz Boochani
pro-refugee sentiment within Australia has tended to find institutional expression in particular pockets of liberal sentiment – one of which has been the infrastructure of Australian literature. That’s the context for Boochani’s book, a text that emerges from a scaffolding of literary activism that it itself helped facilitate.’
The Artist as Revolutionary: Remembering Paul Robeson
In this excellent new book, [Horne] identifies Robeson as a neglected precursor to the modern Civil Rights movement. ‘[Y]ou cannot fully appreciate how the Jim Crow system came to an end without an understanding of the life of Paul Robeson,’ he argues. ‘[I]t was only with Robeson’s fall that King and Malcolm could emerge as they did; the undermining of Robeson created a vacuum that these two leaders filled.’
Racism and the Dreamers: Between the World and Me by Ta-Nehisi Coates
‘Between the World and Me brings a deep engagement with an African American canon usually entirely excluded from the (white) public debate.’ Jeff Sparrow reviews Ta-Nehesi Coates’ new book on contemporary America and the visceral experience of racism.
Moon Made of Cheese: Seveneves by Neal Stephenson
Seveneves is not, it should be stressed, a conservative book. There is nothing in it comparable to, say, the long diatribes about the moral necessity for military dictatorship that lard every Robert Heinlein novel. But nor does Stephenson’s enthusiasm for science coincide with the gee-willikers liberal optimism of Golden Age science fiction.
If it no go so, it go near so: A Brief History of Seven Killings
Understandably, James wants to rescue Marley from the kitsch images of bong hits and tropical holidays, re-situating him as a political player emerging from a particular historical setting. But Marley’s social significance cannot be disentangled from his art. If, as A Brief History of Seven Killings suggests, Marley came to embody a sense that ‘there was this once time when we could’a do it’, it was, first and foremost, through his music.
Render it barely: Collected Poems: Lesbia Harford
Bringing so much writing by an important but under-appreciated Australian poet into the public arena is a major achievement, for which both editor and publisher should be congratulated. It is, however, regrettable that the new volume diminishes Harford’s work with an editorial framing that feels unpleasantly gendered.
All essays featuring Jeff Sparrow
Godwin is Dead
“It is not just that the left and right consider each other repellent,” observes Jeff Sparrow in Trigger Warnings: Political Correctness and the Rise of the Right. “It’s also that they find each other almost incomprehensible.” Trigger Warnings and The Death of Truth are notable contributions to what has become a deluge of books and articles trying to explain how we arrived at this point. They offer different diagnoses, but share some basic assumptions. Both propose that the peculiarity of contemporary discourse is, to a significant extent, a product of the culture wars.’
What Ghosts We Might Rise: No Way But This
In writing No Way But This Sparrow seeks to reanimate not only the ghost of Paul Robeson but those of his family, friends and comrades. In other words, this book has an avowedly political goal. It revives Robeson as a model of integrity and bravery – someone who, despite the precarity of his social position, risked his life and career for the ideas of workers’ rights, black liberation, anti-colonialism and international socialism.