Ronnie Scott

Modern experiments in fiction writing have long convinced us that consciousness flows like a stream, but is it true of animals or AI? Ronnie Scott explores the range of narrative techniques used by writers from Lucy Ellmann to Octavia Butler to approach the ‘humanly inaccessible facts’ of consciousness.

What do people think they’re doing when they’re writing novels? I’ve never found an answer that feels completely satisfying.

While ideas don’t change all at once, they don’t just change alone, and some wave of slow change has been moving through the world, stripping the vegan of their ascetic tone and dressing them in liveliness, industriousness and fun. Like the pilot, the vegan accesses a special level of the world, an open sky of free passage and moral certainty. Like the skies, this level is attainable in theory, but in practice appears distant and inhospitable, the instruments for getting there arcane. As with gods, we find earthly ways to sample its texture.

His characters are men I have known, men with whom I have lived, hooked-up, been frustrated. They skirt around what they ought to say and try to reinvent themselves and downplay their opportunities and make geographical excuses for their oddities.