Dr. Sneja Gunew (FRSC) B.A. (Melbourne), M.A. (Toronto), Ph.D. (Newcastle, NSW) has taught in England, Australia and Canada. She has published widely on multicultural, postcolonial and feminist critical theory and is Professor of English and Women’s Studies at the University of British Columbia, Canada. She was Director of the Centre for Research in Women’s and Gender Studies (2002-7) and North American editor of Feminist Theory (Sage) 2006-10. She was Associate Principal of the College for Interdisciplinary Studies, UBC, 2008-11.
She has edited and co-edited four anthologies of Australian women’s and multicultural writings: Feminist Knowledge: Critique and Construct and A Reader in Feminist Knowledge(Routledge 1990-91). In Australia, she compiled (with others) A Bibliography of Australian Multicultural Writers (the first such compilation in Australia) and co-edited Striking Chords: Multicultural Literary Interpretations (1992), the first collection of critical essay to deal with ethnic minority writings in the Australian context. She set up the first library collection of ethnic minority writings in Australia. Continuing her focus on cultural difference, Gunew edited (with Anna Yeatman) Feminism and the Politics of Difference (1993) and (with Fazal Rizvi) Arts for a Multicultural Australia: Issues and Strategies (1994).
Her books include Framing Marginality: Multicultural Literary Studies (1994) and Haunted Nations: The Colonial Dimensions of Multiculturalisms (Routledge 2004). Based in Canada since 1993, her current work is on comparative multiculturalisms and diasporic literatures and their intersections with national and global cultural formations. Her most recent book is entitled Post-Multicultural Writers as Neo-Cosmopolitan Mediators.
All essays by Sneja Gunew
The Old Greeks: Cinema, Photography, Migration
by George Kouvaros
Published September, 2018
Still (and) Moving Images: The Old Greeks: Photography, Cinema, Migration
Beginning with his mother’s creased identity card from the era when Cyprus was colonised by the British Kouvaros links the great themes of twentieth-century migration to the affective structures provided by both photography and cinema that give a purchase for those lost and uprooted individuals swept up in these global eddies. His relatively short and multi-faceted meditation provides an analytical scaffold as well as a moving response to his own question – what do we owe our ancestors and the dead?
Museums of Identity and Other Identity Thefts
The way nations quantify and code identity is enmeshed in many ‘invented traditions’ but of course these also operate at a semi-conscious level and can be inflamed very quickly, as we are witnessing right now.