'A Woman Looking At Men Looking at Women is the work of an artist who has spent decades grappling with the way the self is made and remade, in an admiringly non-narcissistic manner. The writer looks inwards and outwards, engaging with surfaces, not always convinced by what she sees; sometimes we find her looking sideways or underneath.'
Glover uses the historical record to unpack the mythology that still surrounds the composition of Nineteen Eighty-Four, that is, Orwell’s heroic struggle against terminal illness to complete his magnum opus. Glover’s art lies in the careful curation of his researches, and in the fleshing out of their significance. Where the facts are unknown, Glover extrapolates from Orwell’s essays and diaries, a device that might jar but for the fact, observed by Glover in his author’s note, that ‘many contemporaries commented on Orwell’s habit of rehearsing the contents of his forthcoming writings in discussions with friends and colleagues’.