Philosophy and critical theory 

Walter Benjamin was born on 15 July 1892, mere hours after the commemoration of Bastille Day. It is hard to avoid making something allegorical of this insignificant contingency, given that for the rest of his relatively brief life Benjamin would almost invariably arrive a little too soon or a little too late.

Albert Camus’ reputation, for good or bad, has been built upon cliché. This has resulted, for generations of readers, in a curious blindness when approaching his books. It seems simpler to repeat the cliché than to consent to what is actually spelled out on the page.

According to Rancière, modern democratic politics and modern non-classical arts are two manifestations of the same new, revolutionary social space. In this space, sensibility or sense perception (aisthesis in Greek: the origin of the word aesthetics) is shared and distributed across social divides, providing the impetus for both a new egalitarian politics and a new democratic regime of artistic appreciation and practice, which Rancière has called the aesthetic regime of art.

Much of what I read in the field of criticism these days is not purely literary criticism… but essays which are also fictions, perhaps referring to literary works in passing, in order to reference, interrogate and explore culture: its fashions, its trends, its past and future.