Reviews

The authors specifically exclude ‘culture’ from their account of ‘how universities can be useful to individuals and societies’ because they are trying to take a pragmatic view of the situation. This certainly presents a simpler view of the situation universities face – a less confusing view – but it is not pragmatic, because the benefits universities provide to individuals, communities and nations are civic as well as economic, and these two are related to each other.

Notwithstanding the occasional gnomic aside to the effect that no science is untouched by magic, Gray has hitherto upheld the distinction between scientific progress, which is a fact of history, and human progress, which is a modern myth. But in his new book, The Silence of Animals: On Progress and Other Modern Myths, this distinction begins perceptibly to blur.

The Chinese Communist Party is arguably the single most powerful organisation in the world.

Here lies one of the key challenges for a modern translator. How to get the dramatis personae to communicate across the centuries? The convention is to provide some contextual information in footnotes and appendices, but James wants none of this pedantry and aims instead to incorporate essential points in the verse.

There is more driving this project than mere biographical voyeurism. In the same way that The Lost Life dramatises and elaborates ‘Burnt Norton’, the first poem in Eliot’s Four Quartets (1943), A World of Other People dramatises the last, ‘Little Gidding’… a literary landmark looming from the war-time rubble of the London it transfigures so keenly.

A Constellation of Vital Phenomena hinges on the story of a Chechen villager who, over five days, tries to save a young girl from a Russian death squad. But its ambitions don’t stop at exhaustive research and breaking new fictional ground…

It was when I turned to The Bourgeois that I really got a sense of Moretti’s epistemological superiority over most of his humanities competitors… It is not that the scientific team-man has simply trumped or supplanted the delicately tuned aesthetician. It is that Moretti has become both simultaneously, a lonely centaur or Janus-faced creature, at once historically minded and future oriented, sentimental and technicist, elegiac and plain speaking.

It is Kennedy’s belief that lived experience is essential to the writing process and needs to be integrated into the way writing is taught. Inviting a horse to the writing workshop is not her only irreverent suggestion. She also proposes that the student group and their teacher might benefit from sharing a meal, attending a concert together, or taking a walk.

As the fifty-something David Shields remarks in How Literature Saved My Life, ‘everyone I know under thirty has remarkably little notion of privacy.’ We are living in an age of idiots, in the etymologically precise sense of the word.

To be honest, I had lost track of Javier Marías long before I received the commission to write a review of The Infatuations, his latest novel – apparently a murder mystery. In my ingenuous youth, I had been rather impressed, when not mesmerised, by the style, the themes and the exquisite craftsmanship displayed in novels such as All Souls and A Heart So White. Years had passed, however, and my interest, always capricious, had waned.